Woman "stilnovistica"
The " Dolce Stil Novo "is not a" school ", but a different set of experiences yet converged to bring the head to a new love poem, which cut ties with the experimentalism of the courtly lyric hall.
How is the woman singing? Unlike the "lady" of the courts and castles of Provence, the woman of the "stil novo" suddenly appears somewhere in the city. The love affair is made of fleeting encounters and emotions that are located in an urban setting. These meetings and appearances devastating effects on the poet, who sees to stop all their physical and mental.
How is the woman singing? Unlike the "lady" of the courts and castles of Provence, the woman of the "stil novo" suddenly appears somewhere in the city. The love affair is made of fleeting encounters and emotions that are located in an urban setting. These meetings and appearances devastating effects on the poet, who sees to stop all their physical and mental.
The effects of love are considered as a result of the movement of substances incorporeal. These entities airlines, with their autonomy and calling spirits, move and change impacting on the faculties of the individual soul, and are also able to relocate, away from the individual they belong to and following their own account, the 'image of the woman he fell in love. Sudden revelation, the woman stilnovistica "is almost never reached.
The woman is not described physically and become more spiritual and ethereal: the woman is a summary of the ideals that the poet wants to reach, takes on the virtues of the angel, and as such transmits spiritual influences man, but there must be a heart capable of receiving them. The sonnet by Guido
Guinizzelli which we describe below, shows some typical themes of the opera stilnovistica.
The woman is not described physically and become more spiritual and ethereal: the woman is a summary of the ideals that the poet wants to reach, takes on the virtues of the angel, and as such transmits spiritual influences man, but there must be a heart capable of receiving them. The sonnet by Guido
Guinizzelli which we describe below, shows some typical themes of the opera stilnovistica.
The greeting and your beautiful 'the gentle gaze
v'encontro when you do, kill me:
love overwhelms me and already reguardo
If he did not face shame over merzede,
that through my heart I threw a dart over
ched 'n part of the cut and divided;
I can not speak, for' n
penis I glow even as those who see his death.
their eyes as it does pass the throne, which
fer 'for the window de la torre
and what is in shatters and cracks:
remagno como brass statue,
where life or spirit is not satisfied,
except that the figure of a man makes.
gaze of the woman becomes a vehicle of love: the greeting and the look (the only forms of contact between the woman and the poet) is the vehicle with arrows of love that can only cut to the heart of the poet. He is not in itself the strength drains away and is condemned to immobility, like a statue in which there is no vital spirit.
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