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the Sicilian School

The new Italian vernacular courtly lyric in built around the thirties of the thirteenth century in an environment of great cultural vitality, the court of Frederick II of Swabia . The authors are officers of the imperial government, however, or characters of the administration of the Southern Kingdom. They decide to transplant in the Sicilian vernacular models of Provencal courtly lyric, purified by references to the concrete, the chronicle of courtly life and people readily identifiable, frequent references in the Provencal poetry. The Sicilian poets intend to give their poetry a social function: to reflect the value and prestige of the court where they belong. The poetry of the Sicilian
addresses the theme of love especially from the perspective of the feudal relationship of love and tries to define the character of communication. At the center there is a woman, a noble lady and mistress, to serve with dedication, but never expresses the pathos of distance and dell'indecifrabilità of his beloved lady-that is typical of some poets of Provence. Beware of the transmitted probing love to see the Sicilian poets identify the main plot of the relationship with the woman, and around to see focus various images and metaphors.
In singing his relationship with the woman, the poet tries and increases its value, its serving his beloved, his loyalty makes him engage in more socially worthy.
The first and greatest exponent of the school is the Sicilian Giacomo Da Lentini notary (the Notary), an imperial official. Thin investigator, with wisdom and metrical rhetoric, was probably the inventor of the new form of the sonnet.

m'aggio I place in my heart to serve God,
as I could go unto heaven,
the holy place, audited c'aggio say
or 'sollazo keeps playing and rice.
without my woman there Voria depart, that
c'a Blonda claro head and face, without
that she could not Gaudete,
estandar split from my wife.
But I do not say that proposal
pecato there because I wanted to do;
if you do not see the beautiful port,
and beautiful face and 'the soft look:
which are of such me great consolation in the artery,

seeing my woman in ghiora be.

In this sonnet the woman is described according to the style typical of Provencal poetry: the hair, the look sweet and elegant bearing. But it's also developed the theme of the impossibility the poet to be happy even in heaven, if separate from the contemplation of his lady. Here, too, love feeds on itself. The poet, in fact, reaffirms its attachment does not derive from the desire to possess: he would be happy just to see the woman he loves in the glory of Paradise.