The fin 'amors
model of courtly strongly characterizes the troubadour poetry (a poem created in the courts of Provence and southern France in the late eleventh century and the beginning of XIII). The subjectivity of the troubadour is expressed in the song of joi, a joy determined by the fin 'amors, "perfect love", and the desire to enhance the woman-woman, who is often identified with the feudal lord, a princess or the wife of the prince to her lover is in the position of vassal ready to serve in an absolute and disinterested. Even when the woman-woman is physically close, her beauty and power make it unattainable. The song of the poet emphasizes the charm of this distance.
Every gesture of the poet-lover is indeed threatened by the words of slanderers, those who are unable to recognize the value of fin 'amors and can damage or even exclude it from the graces of the woman. The passion in the subject provokes contradictory effects, that poetry looks thin.
However, the experience of love can be represented in different ways. Next to the woman-woman, set in the icy crystal forms, alternate figures that give off a impetuous sensuality. In some texts, love is described by unscrupulous realism, joyfully libertine ways, in others it looks menacing and destructive aggression.
beginning of the thirteenth century, Provencal poetry was a sudden crisis, caused primarily by the Crusade Against the Albigenses, which caused great upheavals in Provence and caused the end of the most important courts of Provence. Already in the twelfth century models of Provencal lyric had spread to Germany, with the poetry of Minnesanger , "singers of the Minne," that the thought of love.
We received word of about four troubadours, among which Bernart De Ventadorn , in the second half of the twelfth century served and courted Eleanor of Aquitaine, poet from the vein, easy and natural, to the love song that combines autobiographical reasons.
beginning of the thirteenth century, Provencal poetry was a sudden crisis, caused primarily by the Crusade Against the Albigenses, which caused great upheavals in Provence and caused the end of the most important courts of Provence. Already in the twelfth century models of Provencal lyric had spread to Germany, with the poetry of Minnesanger , "singers of the Minne," that the thought of love.
We received word of about four troubadours, among which Bernart De Ventadorn , in the second half of the twelfth century served and courted Eleanor of Aquitaine, poet from the vein, easy and natural, to the love song that combines autobiographical reasons.
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