Friday, September 28, 2007

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"SHE DOES NOT APPEAR Son of mortal man, BUT THE WOMAN DEO ...": BEATRICE

So gentle and so honest it seems
my lady when she greets others, that every language
Deven trembling outline ,
and the eyes not dare to look.
She goes, feeling praise,
graciously clothed with humility;
and seems to be something coming
miracle from heaven to earth to show.
Mostrasi so pleasing to him who seeks
for giving eyes a sweetness to the core, no n'tender
that the people who can not test:
and it seems that his lip is mova
a gentle soul full of love,
that goes to the soul saying: "She sighs."


With these words, Dante Alighieri defines Beatrice, the woman he had sung in the Vita Nuova and then celebrated in the Divine Comedy .
Who is Beatrice? Real woman or poetic imagination? The criticism has been much discussion on this point and some do not consider lack of an ideal figure Beatrice and symbolic. However, for most scholars, she really existed and should be identified with Beatrice, or Beatrice Portinari, the wife of Simone de 'Bardi, who died very young on June 8, 1290, he was able to meet during his youth in Florence.
Love for Beatrice Dante concentrates all the way and the value of their moral commitment, despite In fact, the contacts between the two were sporadic, the beloved is a love supreme for the poet in which mirror their own choices and their desire for justice and truth.
Dante, at the beginning, loved the canons of courtly love, singing the sweetness of her eyes, the beauty of her face, her grace and kindness of his actions and providing a feeling of love lived as a service . New Life In
are witnessing a turning point.
He presents her with a new, intense concentration symbolic Beatrice is "Beatrice," one who dispenses happiness, an angel came down from heaven on earth but regret and intended to return there. It is the announcement of a salvation, of a ransom of as unworthy of existence and there is negative "thing come / from heaven to earth to show miracle." La Vita Nuova
must be seen as the work in which Dante tells a personal story: his love for Beatrice. New Life In
is outlined the inner journey that leads the poet to understand how his love is not aimed at anything material, even the simple greeting, element in the courtly lyric. Sole objective is love for the poet to "praise" his wife, Beatrice is Dante stimulus for introspection and spiritual source of literary inspiration. At the conclusion of the work of Dante is clear what will be his task: highlight to the world the figure of Beatrice and promises not to write more of her except when she can so totally worth it.
The New Life is so outstanding, such as temporary work that awaits fulfillment in a work more ambitious: it will, in fact, its culmination in the Divine Comedy, where Beatrice will be transformed into a figure of salvation that transcends mundane reality , but at the same time retaining the character of a mortal creature. Already in the Vita Nuova
, but even more in Comedy, Beatrice is turn the image of Christ, just think of the use of the number nine, the continuing use of biblical quotations and numerous allegories that bring the two figures.
Beatrice, then, back in the second poem of the Divine Comedy : will, in fact, in the Garden of Eden to query and rebuking the poet for his wanderings, and will become the lead in Paradise. The Divine Comedy
Beatrice is embodied revelation and a symbol of Christ for all humanity, through which allows not only to Dante but to humanity as a whole, to get to Paradise and to the contemplation of God







NEW LIFE (1292-1293; prosimetrum: 42 + 31 chapters of prose poems)

The title alludes to the revelation of an absolute experience that gives new meaning to "life" and renewed. The narrative begins with the first meeting of Dante and Beatrice, the poet when he was nine. The next meeting will take place nine years later: this time Dante receives the greeting of the woman. After a dream in which Love calls the woman to eat the heart of the poet, Dante wrote his first sonnet, as a greeting to "all of them faithful love." For some time, fearing that they may come to identify in his beloved Beatrice, in contravention to the rules of courtly love, Dante is the woman of expedience-screen. But Beatrice, offense, denies him the greeting prompting the poet to write openly about her.
Following a conversation with a woman who makes him feel like his happiness could be found only in the "praises" of his wife, relies on the poetry of Dante "praise", a theme which occupies the central part of the work. Among
ads and premonitions came the news of the death of Beatrice, Dante narrates directly: he insists only on its loss, the sense of loss related to the absence of his beloved. A year has passed since the death of her sympathy and gratitude for a "nice woman" who gives him solace. Beatrice appears to him in a dream and he feels ashamed for being distracted. At the end of the work is proposed not to speak Beatrice over again until they can "more worthily treat of her."



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