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" CORTESE "


courtly love itself as an absolute force, since foreign material to the bond of marriage is justified in itself, a waiver of any social recognition and is ready to challenge the presence of a third party (the husband). The highest intensity of this love accompanying the knight as a good total, far from any compromise with the normal daily life, and, as in the case of Tristan and Isolde, love finds its apotheosis in death, the affirmation of its absoluteness and its impossibility. The model of courtly love has had a great fascination in the history of Western culture and imagination, many centuries later we find him in the forms of romantic love.

His statement in the literature of romance was not only the result of a literary invention, but stemmed from a profound modification of the experience of love and sexuality. Feudal states in the secular world a new image of femininity: the communication with the woman-lady gives a higher value, an absolute nobility, and the relationship with the woman he loves goes beyond the mere desire of physical possession, but aspires to become a "value". Fidelity to this value, however, implies a distinction between the lovers are able to live it to the end and the rest of society, even courtly love stands completely outside the social rules. To this may not coincide with the bed (as theorized by Andrea chaplain in his treatise De Amore ), there must be prohibited in situations that are impossible, contact women tied to another man.